THE
HOUSE AT RIVERTON
BY
KATE MORTON
THE
BLURB:-
Summer 1924
On the eve of a
glittering society party, by the lake of a grand English country
house, a young poet takes his life. The only witnesses, sisters
Hannah and Emmeline Hartford, will never speak to each other again.
Winter 1999
Grace Bradley,
ninety-eight, one-time housemaid at Riverton Manor, is visited by a
young director making a film about the poet's suicide. Ghosts awaken
and old memories- long consigned to the dark reaches of Grace's mind-
begin to sneak back through the cracks. A shocking secret begins to
emerge, something history has forgotten but Grace never could.
THE
REALITY:-
This was the first of
Kate Morton's novels, the first I read (back at the end of 2013,
before I began blogging) and, in my opinion, the worst. But, I felt
that I needed to re-cap so, when I found it in a charity shop in
Boscombe, I thought I'd give it another go. I couldn't remember that
much about it, apart from there being some kind of- spoiler alert!-
fake suicide.
I'm not quite sure why
this wasn't my favourite book by this author, as it had all of the
ingredients guaranteed to please: it's a tome, it's set in a dreamy
country estate, two of its main characters are society sisters, it
compares modern times with the past, etc. I'm not saying that I
didn't enjoy it, just that it didn't grab me as much as other works
by this author did, which is only normal- everyone is going to have a
best and worst loved, by any artiste.
I did race through to
the end, though, so the novel certainly had a gripping element... or
did I just become a bit bored with Hannah, after she married? I also
wanted to shake her out of allowing the likes of her sister in-law,
Deborah, to control her, though, so the story obviously aroused some
feeling in me. I'm glad Hannah managed to find her mojo, via her
affair.
The characters
developed well and I did like the way the story was not quite in
order, as we have some reminiscing by Grace, before finding out how
the final scene actually played out. It all came together like a
jigsaw in the end. The concept of a three-person game was a clever
theme throughout, and a kind of structure, and I think that Hannah chose wisely in
the end. Read the book and you'll see what I mean, although it's a
shame she had to choose at all. The story, as a whole, came across as a bit
of a strategy and the theme of secrets featured and added intrigue. We
had to turn the pages to find out what Grace's long-kept concealment
was all about, and why her lack of knowledge of shorthand was
important. We found out more about Ursula's real involvement,
Grace's parentage, and I was glad to see Alfred make a reappearance,
in a very pleasing way.
Riverton came across as
such a lovely place to live, in a time when class boundaries were
changing. This was another book where World War I featured and we
got to see how death and shell shock affected the whole estate and
equilibrium of both individuals and society.
Despite my moaning, I
can't say that I didn't enjoy this lovely work!