GILLESPIE
AND I
BY
JANE HARRIS
THE
BLURB:-
1933,
London. Harriet Baxter decides to put straight, once and for all,
the truth about her life and the fate of an artist called Ned
Gillespie.
Decades
earlier, Harriet arrives in Glasgow in time for the International
Exhibition. A young art lover of independent means, Harriet becomes
friend and champion to the up-and-coming painter Ned Gillespie. She
is embraced by his extended, somewhat troubled family and soon
becomes a fixture in their lives. But when tragedy strikes the
Gillespies, Harriet's connection with them disintegrates into
mystery, deception and potentially life-changing accusations.
THE
REALITY:-
Wow!
This was one huge tome. I was torn between finding it long-winded,
yet gloriously detailed. I don't suppose you get one without the
other.
Glasgow
and its characters were brought magically to life, via our modern
anti-heroine. She's unconventional in that she's independent,
doesn't want to be married, and she does thoroughly modern things for
a woman in 1888, such as (shock, horror!) smoke.
A
totally unique concept; the Scottish “Not Proven” verdict is not
something I have ever encountered before. Fans of Carry On films
will love the salacious content and language, as domestic and prison
situations are bought wickedly to life.
This
book will madden you, and you can really sympathize with Harriet as
she gets set up, and the impotence she feels at not being able to
do an awful lot about it. The is she/ isn't she question of the
identity of 1933 Harriet's maid will have you turning the pages to
the very end.
A
good read, not for the fainthearted!
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