THE
CROOKED HOUSE
BY
CHRISTOBEL KENT
THE
BLURB:-
Alison
is as close to anonymous as she can get: with no ties and a backroom
job, hers is a life lived under the radar. But once Alison was
someone else: once she was Esme, a teenager whose bedroom sat at the
top of a remote house on a bleak estuary. A girl whose family, if
not happy, exactly, was no unhappier than anyone else's- or so she
thought.
Then
one night violence was unleashed in the crooked house, in a nightmare
that only Alison survived and from which she's been running ever
since. Only when she falls for charismatic Paul does Alison realise
that to have any chance of happiness, she must return to her old life
and face a closed community full of dark secrets.
THE
REALITY:-
Eh?
What was that all about? That was my first opinion once I finished
this book. Can a book be 'off its head'? Because this book
certainly came across that way; with things thrown into the story
from left field, too-convenient memories regained and a seemingly
motiveless murderer, if indeed that person was actually the murderer
and not (spoiler alert) Lucy, his then-girlfriend's mother. I think
he was, but there was a certain sense of unreality about the ending
that's a tad confusing. I actually had Roger down as the murderer
and kind of worked out his involvement with Alison/ Esme's (I've
forgotten her name already) mother (I had to trawl through to
re-check, and it's Kate.) Some of the characters did seem
superfluous to requirements, such as Rosa, although Kay was essential
only for drawing the story to its conclusion.
Is
this story even plausible? Esme hears her entire family being shot
dead (or almost dead, in the case of her father), essentially
disappears with a new identity but is then sought out by people who
seem to know who she really is. For Paul to do this kind of
searching, then form a relationship with Alison, then take her back to
Saltleigh (where he knew her from before, in her incarnation as Esme)
then try to kill her shows a truly sick and manipulative mind at
work. It's a far-fetched idea but it sort of works.
But...
I kind of liked this book! One of the questions brought up in the
reading notes was is the location important in the context of a
thriller and I think it is. I loved the idea of a remote, enclosed
community (they do exist in Britain- I have even witnessed it in
larger towns) with a mistrust of outsiders and I liked the fact that
the book was set far out on the Essex marshes, almost on a causeway.
I've seen such locations used in the much-readable works of author
Judith Lennox, and I myself fancy visiting cut-off, causeway
reachable Mersea. I loved the dark little illustrations of the
crooked house, which pepper this novel and define where the story is
slipping back into Esme mode.
Paul's
actions seem motiveless, unless of course he was having an affair
with Lucy as well as squiring her daughter around town (which is
certainly hinted at in the book). A bit of a vague novel, but
certainly interesting and readable.
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