THE
TROUBLE WITH GOATS AND SHEEP
BY
JOANNA CANNON
THE
BLURB:-
Mrs Creasy is missing
and The Avenue is alive with whispers. As the summer shimmers
endlessly on, ten-year-olds Grace and Tilly decide to take matters
into their own hands.
But as doors and mouths
begin to open and the cul-de-sac starts giving up its secrets, the
amateur detectives will find more than they could have imagined...
THE
REALITY:-
I didn't have the
luxury of being able to read through this work quickly, as nowadays I
have a lot of other things on- namely my MA course, as well as work,
my blogging about tourist attractions, and my SuperDean, which all eat into my time.
Perhaps it's because
of this busyness that I lost the thread a little, and would maybe benefit from
going back and re-reading this book at some point. This novel didn't come
across as a story- more of a soap opera, with different chains of
events interlinking. The ending was a disappointment, and it was
never really explained why Mrs Creasy went missing. I did, however,
like the twist in the story, when we find out that (spoiler alert!)
it was really sad Mrs Morton who, when dealing with immense grief
(for what her life could have been, more than for her recently
deceased husband), stole Grace when she was just a baby. I also like
the way she managed to pin the blame on someone else (incidentally, I
always felt sorry for Walter Bishop; that “someone else”) and get
out of her crime by announcing that she'd actually been the one to
find Grace. Very clever writing.
Similes and metaphors
abounded and some were interesting, such as “His toes were doing a
little dance in his sandals. Like piano keys”. And “kneading
stoicism into a thick pastry and measuring out spoonfuls of endurance
for the mixing bowl”. But I do think there were possibly too many
of them, and some I didn't understand. For instance, what does it
mean when someone “fire-engined himself out” and “pin pricks
started at the side of the saucepan”? If you're going to use
phrases like this, make sure they're something someone will
understand (or maybe I'm just thick...)
It was easy to relate
to the life described in this novel as I was a kid in the 1970s
(although a few years younger than Grace and Tilly- incidentally, I
loved the latter character). I also like the analogy that the good
people are sheep (but does that also mean that they follow the flock?
Not so admirable) and that bad people are goats. The conversations
held with the vicar also made me take a look at my own (rather
lacking ) spirituality, and that's not such a bad thing.
I bought this at an
open day at the Ilford Hospital Chapel, and it's certainly a book I'd
recommend (mainly because the 1967 parts differentiated from the 1976 parts in that they are written in the third person present tense, and I'm currently working on something constructed in the same way, so it was good learning material for me)- it just didn't blow me away.
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