Monday, 8 April 2019

MISS ELAINEOUS VISITS THE CHARTERHOUSE...

The Charterhouse is an area of London known as Smithfield, to the corner of Charterhouse Square.  It's in the London Borough of Islington and the nearest Tube stations are Barbican and Farringdon.  To me, this is very much the heart of the city and I've always loved the way you get gleaming, modern chrome-glass buildings juxtaposed with the ancient.

I have also created a YouTube vlog, link:-

TIMELINE

* 1348- The Charterhouse has existed on this spot since this date.  It takes its name from a Carthusian priory founded in 1371.  Carthusian means a religious Catholic order of enclosed monastics, and is also known as the Order of Saint Bruno. 

* 1537- The priory was dissolved under the orders of Henry VIII, but fragments from this period still remain.  

* 1545-  Rebuilt after this date as a large courtyard house.  

* 1611-  Site extended when it became a school and almshouse.  

* 1872- The school moved to Godalming, Surrey, and this part of the building became St Bartholemew's Hospital Medical School and then its successor, Barts and The London School of Medicine and Dentistry.  This section has been much developed over time.  

* 1941- The building was hit by an incendiary bomb during World War II, which caused an extensive and devastating fire.

1958- Queen Elizabeth II opened the restored Charterhouse buildings.

The Charterhouse continues to serve as an almshouse (low cost community housing held in trust for local people in need of housing) for 40 pensioners- known as Brothers- who are in need of companionship and financial support.  In recent years modern housing and a care home, for those who need respite or permanent medical help, have been added to the existing site.  
From 2016, women were allowed to be admitted to these ranks and the museum opens to the public with the support of the Museum of London. 

It was a drizzly day when I visited, and tried to take a few pictures of Charterhouse Square.  I quite liked the little iron construction in the corner, which I nicknamed 'the summerhouse'!
To the left of the photo is Florin Court.  This Art Deco building serves as the London home of Hercule Poirot- Agatha Christie's fictional detective- in the TV series, where it is named Whitehaven Mansions.

 I gave up on the umbrella I was trying to juggle and took this photo of a gnarly tree.  The Charterhouse is to the left of the photo.

Spindly tree with the side of the Charterhouse building behind...

Through the central door of the last photo is a courtyard view.  There were only certain parts of this extensive building that I could pop inside...

The Charterhouse, from further around the side...

The Charterhouse from the front...

The Charterhouse from the gate...

On an off-key note, I liked the way this gate reminded me of Art Nouveau...

Close-up of the featured Charterhouse model...

The Tower...

Flower bed...

This is a floor plan of the Charterhouse.  The shop, museum (just behind the Chapel Cloister) and Chapel are free to enter...

In the museum this timeline traces the role of the building throughout time...

Novelist Anthony Powell quoted this romantic opinion of the building...

Ye olde chair...

Weak (or 'small') beer was offered daily to the Brothers from the 17th century, as it was considered safer to drink than water.  Their beer came from a brewery in Romford...

Museum gallery...

Old boys of the school, which include the writer William Makepeace Thackeray (1811-1863).  The Charterhouse became a school in 1611, when Thomas Sutton (1532-1611), the owner of only 7 months, bequeathed money to retain a hospital (almshouse), chapel and school.

The monitor's desk, where the names of previous monitors would have been engraved into the woodwork.  Monitors who were disliked would have their names scratched out by other boys!  The school was originally intended to educate 40 boys but it reached above and beyond expectations to become a well-known public school.  In 1872 it relocated to Goldaming, Surrey.

I took this photo of a toasting fork purely because my parents owned one like this which they used to use, as we had an open fire...

Following the dissolution of the monasteries, the house was sold to Sir Edward North in 1545.  He rebuilt the buildings as a large courtyard mansion and renamed it Howard House.  This is a plaster decoration above the fireplace at the end of the gallery...

A body cast in plaster was on display... 

Sir Edward North 'made a banqueting hall out of a church' and both Elizabeth I and James I held court here.  It occurred to me that I was going through the gallery the wrong way, and backwards in time!  (Or "backwards for Christmas" as my mother would have said!)  But that appears to be the way the museum is set out, and even their timeline runs backwards.
Here is a money chest from around that time...

Wall friezes...

Stained glass...

Leather bellows for the fire...

Following the Reformation there was some distinction between the Catholic Eucharist cup to the fore of the picture and the Church of England Communion cup to the rear, next to the old chunk of chapel...

These lights are in a section dedicated to the Black Death.  The Black Death was a bubonic plague pandemic, and it occurred throughout Europe between 1346-1353.
The site was a burial ground from 1348.

Twenty-five skeletons were unearthed during the construction of Crossrail in Charterhouse Square in 2013.  Matey here was one of them, and is a Black Death victim...

Leaving the museum and this is the memorial at the end of the Chapel Cloister...

Chapel Cloister gallery, and architecturally a cloister connects the various buildings of a monastery to the chapel by means of a covered walkway.

From the Chapel end...

...And through the door...

The front garden through the windows...

Plaque dedicated to 'old boy' William Makepeace Thackeray.  He wrote Vanity Fair; one of my favourite books.
Peter Baden-Powell (1913-1962) also went to school here.  He founded Scouting.

Under the Tower, and here's the font and candle holder.  The Chapel is still used as a place of worship and services regularly take place here.

Taking a step back, and The Charterhouse is a Peculiar, which means it's overseen by an Ordinary, who is the Master and Chief Executive rather than the Bishop.  The Preacher is appointed by the Governors. 

The Chapel itself dates back to 1512; although little remains from that time.

The North Aisle of the Chapel is a 1614 addition. 

Seating to the side, and this bay was completed in 1825 to accommodate the schoolboys.

Looking over to the Chapel, and it survived the turbulent Reformation of 1535 and was used to house Henry VIII's hunting equipment, tents and marquees.

Looking back down the North Aisle towards the organ, which dates from 1842.

This statue/plaque is dedicated to former Charterhouse pupil and English judge and politician Edward Law, 1st Baron Ellenborough (1750-1818).
Alumni of the school include diplomats, activists, engineers, historians, academics, business people, Members of Parliament and even royalty.  They are collectively known as Old Carthusians.

Looking over to the North Aisle, and in the corner is the Thomas Sutton Memorial.  Sutton (1532-1611) is interred here, and he left his fortune to establishing an almshouse for 80 impoverished gentlemen, and a school for 40 boys.  
The memorial depicts a preacher giving his lesson to forty brothers of the Charterhouse.  Up until 1907, Brothers had to attend the Chapel twice a day or risk being fined.

Graves on the floor...


I left the chapel and re-entered the shop.  Apparently, I can only walk through this part of the garden via a tour...

 The tours are £15 (£20 if you choose a Brother's tour) and take in the extensive parts of the building which are not free, like the museum and chapel are.  Unfortunately, the timings and availability on this particular day did not suit me...

...There are also garden tours, but I was told that these are sold out for the rest of the year!  Actually, a glimpse online reveals that this is not true.  They have garden open evenings once a month in the Spring and Summer, and these cost £10 each.

Back out through the front garden...


Through Charterhouse Square...

The Charterhouse tea room is in the white building...

I'll leave you with a picture of May blossom- a bit of a contradiction since it's not yet May and it was a drizzly, wet day.  Would I return?  Yes, I would certainly consider an inside tour, if not the garden tour. 

TTFN

The Miss Elaineous

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Monday, 1 April 2019

MISS ELAINEOUS VISITS THE HORNIMAN MUSEUM... AGAIN...

The Horniman Museum is situated in south London and I've been before.  This great place has been named as one of the coolest top ten museums in the world by the New York Times, and I can see why.  I thought the SuperDean would quite enjoy it and I wasn't wrong.  We decided to visit on a rainy day, which wasn't too much of a problem as most of what we wanted to see was indoors.

History recap:- The museum was founded in 1901 by Frederick John Horniman, a tea merchant who inherited his father's successful business.  The cash generated by his livelihood allowed him to travel extensively and develop his passion for collecting musical instruments, cultural artefacts and anthropological items.  He obtained some 30,000 pieces, including a massive collection of stuffed animals.  The museum was designed by Charles Harrison Townsend in the Arts and Crafts style and is free, with a couple of paying, optional, add-on exhibitions.  There was plenty to see, including the recently refurbished World Gallery.

This is not going to be a massive blog (mind you, I've said that before, and usually end up uploading w-a-a-a-ay too many photos) for two reasons...

I've blogged about it before, after my visit last summer, and here is the link:-

My photos did not come out that great.  Some of this was due to the fact that a flash wasn't allowed, although flash photography rebounding from glass cabinets can sometimes cause problems.  But I also seemed to have a bit of a shaky hand that day.  One thing I will do is look into getting a better camera, with a manually adjustable lens and shutter speed variations.

The Studio is a new arts space and contained an exhibition called The Lore of the Land.  Artist Serena Korda worked with a Collective of local community members to create a multi-sensory, immersive installation.  This exhibition includes the Horniman's anthropology collection.  The items have been selected for the messages they carry about people's relationships with plants and water; both in a cultural and spiritual way.

The sculptures breathe different scents into the space and indeed, the gallery smelt pleasant! 😊  They are (to quote the museum) a 'primordial soup of encrusted barnacles, sea urchins and burgeoning fruits suggestive of a garden of earthy delights- or the kids' cult TV show, Fraggle Rock'.

I absolutely LOVED these artworks...  

They are a bit sinister and reminded me of bulging eyeballs and trolls' homes!


They offered up quite a pleasant perfume, which certainly made the olfactory senses smile.  I thought this one very phallic (I would!)

There is also the vibrant beat of apt music pumping through the gallery.  Here is another phallus...😉

This was my favourite piece, but this is a naughty PDF as my photo was totally blurry...

The sculptures are entitled Sensitive Chaos and take their title from the work of anthropologist Theodor Schwenk  He studied the spiritual relationship between all physical things.

Here's a cabinet of pipes...

Little Miss Macabre especially loved this skull pipe...

These looked quite terrifying, and reminded me of scare devils (amulets placed outside homes to ward off evil.)

Brick Wonders is a pretty good Lego exhibition and was in the gallery just opposite.  It consisted of Lego reproductions of sites such as Hoover Dam (I've seen it from a plane), the Grand Canyon (ditto) and Niagara Falls (ditto again).  The glare from the cabinets really interfered with my photos, so I'm just posting my favourite picture, which shows this colourful interpretation of the Great Barrier Reef.

The World Gallery was being refurbished the last time I was here.  This is taken from the balcony gallery, looking down onto it...

From up here, it certainly looks quite wacky, with this crazy car...

...And mad ceiling hanging...

Downstairs, all the continents are represented.  Here is a selection of curios from Asia...

Oceania.  The bags are woven from recycled plastic waste...

Europe.  This is called a Presepe and is an Italian representation of the birth of Jesus...

America.  This is a sealskin Eskimo's suit...

Africa.  Goods found in a Lagos market...

This little sign is perfection itself and was found in the above cabinet...

I'm kicking myself for not checking out the details of this lobster party setting.  I told you this place was wacky!

We moved on to the aquarium and Dean questioned whether these jellyfish were real or a 3 dimensional transposition.  I'm guessing the former!

Leopard-print stingray...

A real frog (this one's a poison dart and I apologise for the blurriness...)

...And a wooden frog.  He was in the Music Gallery, and I don't know whether you're supposed to hit him with the stick provided, or stroke him, to get a reverberation...😆

Outside it was raining and the only animals I didn't see before were these alpacas.  They were cute and came to pose- minutes after urinating.  I didn't manage to catch that on camera!

We ventured into the Butterfly House and here is the pictorial guide, with a Blue Morpho resplendent on it...

Dean absolutely loved it in here, and the attraction appeared to be mutual.  One of the little friends landed on him- that never happened to me! 


It really is a lovely experience, for all ages to enjoy.





















Feeding time...

I tried to capture bluey in flight.  That new camera beckons...

We finished with a look around the Natural History gallery.  Here is a wild cat, which Dean described as, 'Bagpuss's dirty cousin...'

I have to say, that made me laugh out loud!  So I'll leave you with a picture of my Bagpuss.  He sits on top of my wardrobe...

TTFN

The Miss Elaineous

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Saturday, 23 March 2019

MY LOVER'S LOVER by MAGGIE O'FARRELL


MY LOVER'S LOVER
BY MAGGIE O'FARRELL


THE BLURB:-
When Lily moves into Marcus's flat, she is intrigued by signs of his recently departed ex-lover. A single dress left hanging in the wardrobe, a mysterious mark on the wall, the lingering odour of Jasmine.

Who was this woman? And what exactly were the circumstances of her sudden disappearance? It doesn't take long for Lily's curiosity to grow into an all-pervading obsession.

THE REALITY:-
At just over 300 pages long, this was typical Maggie O'Farrell fodder- easy to get through and interesting and paced enough to be a page-turner. But... I don't know why but it didn't move me and wasn't her best offering. I'm a fan of 'big' words in novels as I'm all for expanding my already higher than average (so I like to think!😉) vocabulary and I make a point of learning anything I don't already understand, but it got to a point where too many were popping up. I don't know why that should irritate me- maybe it's because I haven't really had the time, at present, for any further self-educating. But I shall make the effort to schedule that. Even so, the prose seemed more mealy-mouthed than any of her later offerings. Oh well, it was Ms. O'Farrell's second book- maybe she needed to prove herself, too.

Lily walked into a tricky situation that she would have done well to walk straight out of, and she knew that. She just refused to listen to her intuition; silly girl. This book is a good study in what imagination can do versus fact. Without knowing the full truth, Lily thought up a really overblown scenario which led her down the route of playing detective. It was extremely unhealthy, and we then had to question whether she was seeing the actual ghost of Sinead or whether her overactive imagination was seeping into her time with Marcus (it was the latter). The reason Marcus's previous relationship permeated Lily's time with him is because he was a total shit- a person who couldn't be bothered to be faithful to- spoiler alert!- the 'love of his life'- Sinead, and who jumped into a new relationship with Lily way too soon, then referred to her in an extremely disdainful fashion. Both women are better off without his total cunt of a man. This novel perhaps clearly prescribes why we should get to know someone before falling into bed with them, and how a lack of communication can be the death knell of a love relationship.

This novel is supposed to be about Lily, and the imprint of her man's former lover, but it's also about Sinead too, and we learn a lot about her, her heartbreak, and also about the changeable character of Aidan. I love the idea of the warehouse where they lived, but found the descriptions a bit lacking.  It wasn't that easy to visualise, which is an important thing for me. Also, we know they lived in London, and some locations were mapped, but others a bit vague. This didn't harm the story, but I like to kind of tie loose ends up.

A strange ending. Maybe Sinead and Lily's lives are destined to be entwined or maybe the ending really was a full stop. Give this book a go, but I think the author has written better.



Sunday, 17 March 2019

JANE AUSTEN AT HOME by LUCY WORSLEY


JANE AUSTEN AT HOME
BY LUCY WORSLEY


THE BLURB:-
Historian Lucy Worsley leads us into the rooms from which our best-loved novelist quietly changed the world.

This new telling of the story of Jane's life shows us how and why she lived as she did, examining the places and spaces that mattered to her. It wasn't all country houses and ballrooms, but a life that was often a painful struggle. Jane famously lived a 'life without incident', but with new research and insights, Lucy Worsley reveals a passionate woman who fought for her freedom. A woman who was far from being a lonely spinster in fact had had at least five marriage prospects, but who in the end refused to settle for anything less than Mr. Darcy.

THE REALITY:-
This book was my treat to myself whilst visiting Bath. I didn't buy anything else as I'm not a lover of shopping, and the only shops we popped into during our three day stay were charity shops (apart from Poundland and Tesco, to pick up snacks!) We visited the lovely Jane Austen Centre and picked up a good deal of information about this lady's life and work. I always enjoy watching Lucy Worsley's historical television offerings, and have seen her programme dedicated to Jane Austen. As books conjure up a more detailed perspective than any televised biography ever can, I decided to give this a go.

I'm so glad I did! During my lifetime I've read all but one of Jane's six novels and will make a point of checking them out again, as it was a long time ago. The Jane Austen Centre was up the road from one of Jane's four Bath residences, but the Centre kind of glosses over the fact that, although two of her novels strongly feature the city, she wasn't actually very happy here. I get the impression that she was a real country girl at heart and possibly associated Bath with the death of her father. It's interesting that someone who devoted her work to the whole prospect of finding a husband and making a financially advantageous match never married, and we learn that that's probably because she didn't want children. She did, after all, see two of her sisters-in-law die following childbirth and, in those days, with marriage came babies.  But, maybe, she also was happy and content as she was, living closely with her beloved sister, Cassandra.  Maybe Cassandra was the love of Jane's life and maybe she was the reason there was no room for a man?  Or maybe Jane simply didn't meet the right man?  These options are all discussed here.  The point of this book is that it goes into detail and delves into the whys of Jane's life but- as Lucy Worsley has pointed out herself- history is expressed via the point of view of the writer, so we are really only getting her opinions. Even so, it is nice to know them.

The main point that came across for me was that Jane's work is rather tongue-in-cheek and must be read with a sense of humour. She cleverly described situations that were very real to her, as she witnessed them and, like many writers (myself included) based her novels upon real life. But we mustn't regard them with too much seriousness and, with a little education and reviewing them on this note, they can come across as almost satirical.

I love finding out about social history- in other words, what people got up to on a day to day basis, what they ate, what they wore, etc. This biography delves into that and paints a good portrait of what life would have been like for Jane during Georgian times. As a lover of history I certainly enjoyed reading this, but we must always remember that no-one will ever know the exact truth. As to what Jane was thinking, we might learn that by reading her novels.

A rich and detailed book, tailor-made for Jane lovers. Am I one such a person? Not really. I like her work but prefer something a bit darker. BUT, if you delve beneath the pleasantries of her work, it is all there- you just have to dig deeper and separate and define what is reality and what is an eyebrows-raised, crafty dig. And we must not forget that Jane paved the way for later female writers to 'come out' and write and have a profession- as they are still doing today. The book makes the point that we women owe a lot to Jane- and we do. This was a very detailed biography, offered up a rounded description of Jane's life, and I wholeheartedly recommend it.

Up the road from the Jane Austen Centre is 25 Gay Street, the house where Jane lived for a few months after her father's death.


Here is my Bath review blog link:-