THE NIGHT WATCH by SARAH WATERS

THE NIGHT WATCH

BY SARAH WATERS

THE BLURB:-

Tender and tragic, set against the backdrop of wartime Britain.

The Night Watch is the extraordinary story of four Londoners: Kay, who wanders the street in mannish clothes, restless and searching...Helen, who harbours a troubling secret...Viv, glamour girl, recklessly loyal to her soldier lover...and Duncan, an apparent innocent, struggling with demons of his own.

Moving back through the 1940s, through air raids, blacked-out streets, illicit liaisons and sexual adventure, to end with its beginning in 1941, this is an astonishing novel.

THE REALITY:-

I've read Tipping The Velvet and Fingersmith, by the same author- both were brilliant, mucky, lesbian Victorian romps, and the TV adaptations were equally enthralling! I've also read The Little Stranger, a ghost story that was good, but not brilliant. After watching the TV adaptation of The Night Watch, which was compelling, I chanced across the novel in a charity shop and decided to give it a go.

Yawn! It was too long bloody winded and a bit of a mission to get to the end. Also, the author's overuse of the word “queer” as an adjective really began to piss me off.

Wartime London was absolutely beautifully depicted, and the characters were varied and very real, and I liked the way the story actually ran backwards in time- a very original concept, I've never come across this in a novel before, so top marks for ingenuity. You get a good mix of good and evil, from the very manipulative Julia, who seems to have an axe to grind and who is truly out for herself, and the creepy Mr. Mundy to Viv, helpless in the arms of her married (seemingly nice but bastard incarnate) lover and Duncan, who's only crime seems to be misdemeanour.  I also loved masculine-styled Kay (probably the key figure in the book) and liked the subtle way the characters interlinked.

Some scenes really stuck in the mind, such as Viv's illegal abortion (us modern girls do not know how lucky we are, what with such things now legal, and also with our free access to reliable contraception) and the revolting, grossly disturbing details surrounding wartime life in a male prison.  The author is good with getting to the nitty-gritty with an essential abundance of gruesome detail, which really brings the feelings of the participants to life.

I kept reading to the end (even though I vaguely remembered the made-for-TV film) as I wanted to find out about the fate of Alec but really, this novel dragged quite a bit and was overly drawn out. Ms. Waters has been nominated for a lot of literary awards, but I do have to question what the exact criteria for these pretentious honours are, as this was good but not exceptional. Still, I look forward to reading more work by this author.